Mumbles back at Allagash Sept. 5, by popular demand; Fryeburg Fair Oct. 7

Eagles 1977
Too soon?

PORTLAND, Maine — Pocket Full of Mumbles returns to the Allagash mothership on Riverside for an afternoon show on Saturday, Sept. 5, from 3-5 p.m. The band will follow up with a gig in the Hayseed Theater,  at the Fryeburg Fair,  starting at 5 p.m. on Oct. 7.

The Mumbles made their Portland Allagash debut back in June, and they’re keen to return and play outdoors in the facility’s expansive, inviting courtyard. Pray for good weather. But rest assured the gig will go off rain or shine. The boys will also unveil new material on Sept. 5 — from Little Feat, Bob Mould’s ‘90s-era power/punk trio Sugar, Cracker, and Liz Phair, who just happens to be visiting the State Theater on Sept. 23.

“Though we hesitate to say so, we’re also debuting a version of the Eagles’ Take it to the Limit,” says Mumbles bassist Mike Conant. “Someone just started playing it at practice in July and it sounded pretty great — like it had emerged fully formed and countrified from the brow of Zeus.

“Many bands have traditionally maintained strict , unwritten rules against playing any Eagles songs — since about 1994. But we like the tune, the harmonies and pedal steel sound great, and we’re hoping folks won’t mind. It’s also possible that, in 2026, the Eagles songbook is so old, it’s passed into the realm of compelling kitch.”

The Fryeburg Fair is Maine’s largest and oldest agricultural fair. Organized by the West Oxford Agricultural Society and known as “Maine’s Blue Ribbon Classic,” the sprawling event was  founded back in 1851 (or, about when Glenn Frey and Don Henley got together). Check out the website for the incredible range of events planned for Oct. 4-11.

But let’s get real: It’s hard to beat The Goat Barn, administered by the fair’s Goat Department. According to the website, “Our motto in the Goat Department is: Promote the Goat! But given their outgoing personalities, the goats do a great job of promoting themselves!” Amen to that.  For the record, the Open Dairy Goat Show is held on the first Sunday of the fair in the Livestock Arena. The Goat Barn itself is open to the public every day until 9 p.m.

Pocket Full of Mumbles have a played a whole host of Maine fairs, most recently Topsham and Casco. As with most things, however, Fryeburg is biggest and best. Just check out the list of previous performers: Johnny Paycheck, Jonathan Edwards, Juice Newton, the Nitty Gritty Dirt Band, Ray Benson and Marshall Tucker Band. The Mumbles are proud to walk in their footsteps … and those of the goats.

Stephen Never Really Got Over Judy

Besotted young men have for centuries been composing love songs for/about the objects of their affection. When it comes to qualitative productivity, however, it’s tough to match Stephen Stills’ preoccupation with Judy Collins.

They met in 1967, when Stills was immediately post Buffalo Springfield and pre CSN — a tremendously productive songwriting period for the young Canadians. She’d just released “Wildflowers”, the highest charting album of her career (wherein she covered Both Sides Now, the work of another young Canadian, Joni Mitchell). Apparently, Stills spied Collins in the audience at West Hollywood’s Whisky a Go Go and the rest is history.

The resulting 18-month relationship would move Stills to write three Judy-centric tunes: Suite: Judy Blue Eyes and Helplessly Hoping both showed up two years later on CSN’s eponymous, much-heralded debut album. Another ode to Judy — So Begins the Task, wherein Stills addresses the difficulties in accepting her rejection — didn’t make the cut. It wouldn’t be recorded until 1972, when it appeared on Still’s solo album, Manassas.

Nevertheless, Pocket Full of Mumbles will cover it (along with the epic, 8.5-minute Suite) this Friday, June 28 at the Allagash Brewery in Portland.

Reproducing CSN’s 3- and 4-part harmonies is no small matter, especially for a duo, but it can be done. PFOM proves it (see the Video/Audio tab for evidence). Collins and Stills themselves further this argument: Their 2017 album, “Everybody Knows”, featured an attractive mix of new songs, catalogue selections and CSN covers. Indeed, another PFOM tune on tap Friday night, You Don’t Have To Cry, was a staple of the tour Collins and Stills undertook in support of “Everybody Knows”.

That album and tour may not have transpired had David Crosby, Graham Nash and Stills made plain, in 2016, that they’d finally had enough of one another. Each has indicated they will never perform with the others again — a sentiment Neil Young made plain (but kept reneging on) starting in 1974. Prior to her 50th anniversary tour with Stills, Collins was dismissive of the idea that she was ever some sort of stand-in.

“I’m the original girl,” she told The Guardian in 2017. “I was there before any of them.”