Mumbles back at Allagash Sept. 5, by popular demand; Fryeburg Fair Oct. 7

Eagles 1977
Too soon?

PORTLAND, Maine — Pocket Full of Mumbles returns to the Allagash mothership on Riverside for an afternoon show on Saturday, Sept. 5, from 3-5 p.m. The band will follow up with a gig in the Hayseed Theater,  at the Fryeburg Fair,  starting at 5 p.m. on Oct. 7.

The Mumbles made their Portland Allagash debut back in June, and they’re keen to return and play outdoors in the facility’s expansive, inviting courtyard. Pray for good weather. But rest assured the gig will go off rain or shine. The boys will also unveil new material on Sept. 5 — from Little Feat, Bob Mould’s ‘90s-era power/punk trio Sugar, Cracker, and Liz Phair, who just happens to be visiting the State Theater on Sept. 23.

“Though we hesitate to say so, we’re also debuting a version of the Eagles’ Take it to the Limit,” says Mumbles bassist Mike Conant. “Someone just started playing it at practice in July and it sounded pretty great — like it had emerged fully formed and countrified from the brow of Zeus.

“Many bands have traditionally maintained strict , unwritten rules against playing any Eagles songs — since about 1994. But we like the tune, the harmonies and pedal steel sound great, and we’re hoping folks won’t mind. It’s also possible that, in 2026, the Eagles songbook is so old, it’s passed into the realm of compelling kitch.”

The Fryeburg Fair is Maine’s largest and oldest agricultural fair. Organized by the West Oxford Agricultural Society and known as “Maine’s Blue Ribbon Classic,” the sprawling event was  founded back in 1851 (or, about when Glenn Frey and Don Henley got together). Check out the website for the incredible range of events planned for Oct. 4-11.

But let’s get real: It’s hard to beat The Goat Barn, administered by the fair’s Goat Department. According to the website, “Our motto in the Goat Department is: Promote the Goat! But given their outgoing personalities, the goats do a great job of promoting themselves!” Amen to that.  For the record, the Open Dairy Goat Show is held on the first Sunday of the fair in the Livestock Arena. The Goat Barn itself is open to the public every day until 9 p.m.

Pocket Full of Mumbles have a played a whole host of Maine fairs, most recently Topsham and Casco. As with most things, however, Fryeburg is biggest and best. Just check out the list of previous performers: Johnny Paycheck, Jonathan Edwards, Juice Newton, the Nitty Gritty Dirt Band, Ray Benson and Marshall Tucker Band. The Mumbles are proud to walk in their footsteps … and those of the goats.

Mumbles Make Late-Summer News

Mainly we pimp upcoming gigs here in the PFOM Blog, but several newsworthy tidbits have recently come to the band’s attention:

• DRUMMER JEFF GLIDDEN has been nominated for induction into the Maine Blues Hall of Fame! Jeff revealed this information on his Facebook page. See here the relevant bits, which we’ve duly highjacked:

“I was nominated for The Maine Blues Hall of Fame. Me. Totally out of the blue and unexpected. I don’t expect to be inducted, which is totally cool. I don’t see myself as necessarily a drummer of a certain style. When I was young, I admired the drummers who played with everyone: Gordon, Keltner, Porcaro, Gadd and later down the line John Molo (no one ever mentions John, who can play with anyone) and Jeff Sipe, of course. And Vinnie, naturally. But I’ve always wanted to be like them. Able to step into any situation. So, for me, the nomination is more than enough. I thank the Maine blues community for their faith in my abilities.

“Following that thought, I have had the good fortune to play with A LOT of different musical acts. Original and cover. Everything from my Allmans tribute, to original blues with Cryin’ Out Loud and Noah Watts & The Backwoods Blues Revue, to original Americana with Pocket Full of Mumbles and Matt Newberg … to the band that does it all, Time Pilots.”

Truth is, all the members of PFOM play with other bands, but we’re thankful to have Jeff holding things down/together. He also plays in two of Maine’s top Grateful Dead tribute bands — a particular comfort on Mumblecovers like Uncle John’s Band, with its crazy 7/4 time signature. We’ll be playing that one Sept. 5 at Allagash, for the record.

• TIM HOWIE, our pedal steel virtuoso, caught a skunk this week. Thinl about that for a moment: No small feat. Apparently, the varmint had been stealing eggs out from under Tim’s chickens.

This news may not strike the reader as particularly PFOM relevant. However, the band does practice mainly in the loft of Tim’s Barn in West Gray.  What’s more, he was able to turn this trapping trick without any … malodorous fallout.

“Nope. Never sprayed,” Tim reported the fateful morning. “I wrapped the trap in cardboard before I set it. When I realized the skunk was caught, I threw a tarp over the trap and talked to it — got it calm. Then I slowly picked it up, set it in the gorilla cart and wheeled it away from the chickens. Then I went to work. I guess I’ll take it for a ride tonight.”

• The cup of HAL PHILLIPS, the Mumbles’ primary Dumptruck enthusiast, has runneth over. The last week in August, he learned of a September reunion show down in Medford, Mass. Then, on YouTube, he stumbled upon a new mini-doc that pegs these seminal Boston-based post-punks as a band that really “should have been big!!”

“That’s part of the title, and the documentary is pretty good,” Phillips says. “But the comments are REALLY good. Diverse and full of interesting details and observations on all things Dumptruck. It’s a comfort to know that I’m not alone out there.”

The 1980s were replete with college-radio darlings that never became the next REM. But few put out an album quite so accomplished as “For the Country,” Dumptruck’s 1987 release from Bigtime Records. Some argue this was the very first “alt-country” album, influencing acts from The Jayhawks, to Ryan Adams, to Pocket Full of Mumbles…

Unfortunately, it all went wrong when  Bigtime ran out of money after “For the Country” was issued. The evil suits wouldn’t release the band from its contract. The legal tussle meant no more recordings from Dumptruck until 1994. By then, the moment — their moment — had passed.

“I was living in Boston when word of this standoff with Bigtime got around,” Phillips recalls. “My housemates and I got drunk one night and sent the band $50 for their legal defense fund. They sent us a thank you note and a cassette with 4 new ‘demo’ songs that would never be released. One of those tunes is ‘Ghost Town,’ which we will perform at Allagash on Sept. 5.  Dumptruck front man Seth Tiven later adapted the song into a track on ‘Days of Fear’ (1994) called ‘Turn Away.’ I’m glad we stuck to the original, and, like most things, it sounds way better with pedal steel.”

For the country